Cover -- Contents -- Acknowledgments -- Foreword / André Gaudreault -- Introduction: The Discursive Spaces Between a History of Film Technology and Technological Experience / Santiago Hidalgo -- Section I: Experience -- 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / André Habib -- 4. Walter Benjaminâ??s Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- Section II: Study -- 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- 6. Film Analysis and Statistics: A Field Report / Charles Oâ??Brien -- 7. A â??Distant Readingâ?? of the â??Chaser Theoryâ??: Local Views and the Digital Generation of New Cinema History / Paul Moore -- Section III: Theory -- 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / BenoÃt Turquety -- Index.