D. Production Sound Effects -- e. Location Sound Effects -- f. Custom-Recorded Sound Effects -- g. Foley Sound Effects -- h. Library Sound Effects -- i. Spotting -- j. Creating -- k. Recording -- l. Editing -- m. Processing -- n. Exercise -- CHAPTER 9 Foley: Who or What is Foley? -- a. Foley History -- b. Overview -- c. Spotting and Cueing -- d. Synchronized Recording -- e. Microphones -- f. Performance -- g. Moves or Cloth -- h. Specifics or Props -- i. Pats and Grabs -- j. Footsteps -- k. Libraries -- l. Editing -- m. Sound Effect Resources -- n. Exercise -- CHAPTER 10 Backgrounds: What's an Ambience, Atmosphere or Background? -- a. Introduction -- b. Spotting -- c. Production Sound -- d. Room Tone -- e. Recording -- f. Library -- g. Editing -- h. Layering -- i. Processing -- j. Exercise -- CHAPTER 11 Musical Score: In the Mood? -- a. Introduction -- b. Making Notes -- c. Spotting Session -- d. Cues -- e. Hits or Hit Points -- f. Tempo Map -- g. Click Tracks and Guide Tracks -- h. Temp Scores -- i. Music Software -- j. Scoring -- k. Theme and Motif -- l. Titles, Montage and Credits -- m. Composing, Arranging, Orchestrating and Instrumentation -- n. Mock-Ups -- o. Recording Performance (Tracking) -- p. Digital Music -- q. GarageBand -- r. Song Score, Pop Music and Source Music -- s. Cue Packages -- t. Bands -- u. Musicals -- v. Library Music: Hard Drives, CDs and Downloads -- w. Editing -- x. Stems -- y. Mixing -- z. Deliverables -- aa. Exercise -- CHAPTER 12 Mixing Myself Preparation -- a. Introduction -- b. Preparing Your Mixing Room -- c. Reference Levels -- d. Room Monitor Calibration -- e. NLE or DAW -- f. Mixing In-the-Box by Myself -- g. Session Set-Up -- h. Stereo, LCR or Surround? -- CHAPTER 13 Premixing or Predubbing and DSP -- a. Introduction -- b. Mix Preparation -- c. Track Layout -- d. Virtual Mixing -- e. Mix Tools -- f. Levels