Paris A Short Return is the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. His visit to Paris in 1951 was his second return to Europe after he had settled in New York City in 1947 and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs selected by Robert Frank and Ute Eskildsen suggest that Franks experience of the new world had sharpened his eye for European urbanism. He saw the citys streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur. Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his seminal book The Americans, first published in 1958, which gave rise to a distinct new art form in the photo-book, and his experimental film Pull My Daisy, made in 1959. His other important projects include the book Black White and Things, 1954, the book The Lines of My Hand, 1959, and the film Cocksucker Blues, 1972. He divides his time between New York City and Nova Scotia, Canada.