This collection focuses on contemporary remakings of Shakespeare in a variety of contexts and textual forms. Located at the intersection of Shakespeare studies, performance studies, post-colonial criticism and cultural studies, the essays address the question of how Shakespeare's plays affect and are affected by their environments as they are transposed into a variety of media, cultures, geographical locations, genres and historical moments. The volume includes articles on Shakespeare in American sign language, theatre, film, screenplay, music, documentary and soap opera.