Cover -- Endorsement -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication Page -- Table of Contents -- List of Figures -- Acknowledgments -- Introduction: The Queer and the Punk -- Not Gay as in Happy, But Queer as in "Fuck You!"--Not Punk as in Loser, But Punk as in Totally Punked Up -- Queer as Punk: Queercore Histories -- Queercore Theories -- Queercore Methods -- Queercore Archives -- Queercore to Come -- Notes -- Bibliography -- Discography -- Filmography -- Personal Interviews -- Chapter 1 Queer Punk Before Queercore -- Scenes from New York: 1969-1976 -- Scenes from London: 1974-1977 -- Scenes from Los Angeles: 1978-1991 -- Baltimore and Beyond: 1964-1988 -- Get Used to It: All Punks Are Gay -- Notes -- Bibliography -- Discography -- Filmography -- Chapter 2 Queercore Sex -- The Polysemiology of "Fuck You": Queer Sex/Punk Sex -- J.D.s: A "Porntastic Fantasy" Made Flesh -- Case Study 1: Bruce LaBruce and No Skin Off My Ass13 -- Case Study 2: G.B. Jones and the Tom Girls -- Conclusion -- Notes -- Bibliography -- Discography -- Filmography -- Personal Interviews -- Chapter 3 Queercore Confrontation -- Queers Bash Back: "Imagined Violence/Queer Violence"--Punching Fags and Stupid Breeders: Queercore's Imagined Violence -- Case Study 1: Road Rage in Gregg Araki's The Living End -- Case Study 2: The Gender Trouble of Tribe 8 -- Case Study 3: Race Riots12 in Bamboo Girl and Beyond -- Conclusion: Queercore Rages On -- Notes -- Bibliography -- Discography -- Filmography -- Personal Interviews -- Chapter 4 Queercore Bodies -- Thinking Bodies: From the Grotesque to the Unruly -- Bodies Out of Bounds:2 Queer Fat Activism -- Bodies Out of Bounds: (Queer) Punk's Revolting Style -- Case Study 1: Beth Ditto "Standing in the Way of Control"7 -- Case Study 2: Nomy Lamm's "Bird Song" -- Conclusion: Queercore Out of Bounds -- Notes