Looking backwards and forwards for conclusions: methods of evaluation -- Note -- References -- PART II: Affect -- Chapter 6: Shaping subjects, connecting communities, imagining futures? Critically investigating Play Your Place -- Introduction -- Play Your Place 1: play the change you want to see -- Play Your Place 2: shaping subjects? -- Play Your Place 3: connecting communities - creating publics -- Conclusion: if you draw, it will happen -- Acknowledgements -- Notes -- References -- Chapter 7: The production of temporary public space: site-specific installation and 'vital materialities' -- Introduction -- Interconnections with an artwork -- The artworks and their sites -- La Conga Irreversible -- The Little People -- Conclusion -- Acknowledgements -- Notes -- References -- Chapter 8: 'All your drains belong to us': young people and the non-representational geographies of public art in drain tunnels -- Performative research in human geography -- Graffiti as art practice -- The fieldwork -- Sounding drain art -- Drain art and its peripheral practices -- Conclusion -- Acknowledgements -- References -- PART III: Diversity -- Chapter 9: Mobilising the 'Right to Remain' in Vancouver's Paueru-gai: an art-based participatory research intervention -- Placing the story -- The Right to Remain Community Fair -- Conclusion -- Acknowledgements -- Notes -- References -- Chapter 10: The art of (re)crossing the border: the Border Farm project in Maroi, South Africa -- Introduction -- The South Africa/Zimbabwe border as a catalyst for art -- The Border Farm art project: (re)building the self and the group -- Art as object and tool to apprehend the spatiality of the border -- Conclusion -- Acknowledgements -- Notes -- References -- Chapter 11: The Birmingham Surrealist Laboratory: unlocking community and the avant-garde in a super-diverse city -- Introduction