'Art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. These days the work ethic of the art world with its ever-present young dynamic, flexible working hoursm thematic approach, short-term contracts or lack of contracts and its unlimited, energetic freedom is capitalized within the cultural indyustry and has been converted into a standard production model. In the glow of the crative cities and the creative industry govermments embrace this post-Henry Ford work model and seamlessly link it to the globally-dominant neo-liberal market economy'--Back cover.