19 Great Partnerships of the Early Book Musical: The Gershwins (2) -- Sidebar: Opera Versus Musical-The Porgy and Bess Debate -- Musical Example 24: Porgy and Bess, "I Got Plenty o' Nuttin'"--20 Great Solo Acts: Irving Berlin -- Musical Example 25: As Thousands Cheer, "Supper Time"--21 Great Solo Acts: Cole Porter and Other Efforts in the 1930s -- Musical Example 26: Anything Goes, "Anything Goes" -- Part V A Greater Maturity -- 22 New Achievements From Familiar Names: Rodgers and Hart, Irving Berlin -- Musical Example 27: Pal Joey, "Bewitched, Bothered, and Bewildered" -- Musical Example 28: Annie Get Your Gun, "Anything You Can Do" -- 23 A Cole Porter Renaissance and the Rise of Recognition -- Sidebar: Shakespeare on (and off) Broadway -- Musical Example 29: Kiss Me, Kate, "I Hate Men" -- Behind-the-Scenes: Waiting in the Wings -- 24 Politics and Social Commentary -- Sidebar: "Walking" on Broadway -- Musical Example 30: The Threepenny Opera, "The Ballad of Mack the Knife (Moritat)" -- Part VI New Partnerships -- 25 Rodgers and Hammerstein: Oklahoma! -- Sidebar: The Rise of the Broadway Choreographer -- Musical Example 31: Oklahoma!, "Pore Jud Is Daid" -- Behind-the-Scenes: Oscar Hammerstein Has the Last Word -- 26 Rodgers and Hammerstein: Carousel and South Pacific -- Musical Example 32: Carousel, "What's the Use of Wond'rin'?" -- Musical Example 33: South Pacific, "Bali Ha'i" -- 27 Rodgers and Hammerstein: The King and I and The Sound of Music -- Musical Example 34: The King and I, "Hello, Young Lovers" -- Musical Example 35: The Sound of Music, "Do-Re-Mi" -- Behind-the-Scenes: Bessie Mae Sue Ella Yaeger -- Sidebar: Rodgers and Hammerstein as a Legacy -- 28 Lerner and Loewe -- Behind-the-Scenes: A Theatrical Façade? -- Sidebar: The Functions of Dance -- Musical Example 36: Brigadoon, "Almost Like Being in Love