Intro -- Title -- Copyright -- Contents -- List of Figures -- Acknowledgements -- Foreword -- Introduction -- SECTION 1: FORM -- Short Take 1: My Notebook -- 1. Investigating the Illicit: The Material Traces of Britain's Early Trade in Obscene 8mm Films -- Short Take 2: 'Press the Start Button' -- 2. On, Off, and in the Map: Materializing Game Experiences Through Player Cartography -- Short Take 3: Making Order Out of Chaos -- 3. The Solid State of Radio -- Short Take 4: Materialities of Television History -- SECTION 2: FORMAT -- Short Take 5: Only Dancing. Again -- 4. Between Analogue and Digital: The Cassette Tape as Hybrid Artefact -- Short Take 6: Patch Lead Possibilities -- 5. 'Because It Is Not Digital': The Cultural Value of the Analogue Book in the Digital Age -- Short Take 7: Materialities of Spatial Confinement: Trefeglwys Meets Beirut -- 6. Essentially (Not) the Game: Reading the Materiality of Video Game Paratexts -- Short Take 8: Materialities and Craft Value -- SECTION 3: EPHEMERAL MEANING -- Short Take 9: Still Angry: Still Feeding -- 7. Stamp of Approval: A Prosopography of the English Midlands Videogame Industry -- Short Take 10: The Edward Colston Experience -- 8. Reframing Materiality in the Caribbean Diaspora Podcast -- Short Take 11: We're All Victorians Now -- 9. You Can Look, Share, and Comment, But You Can't Touch: The Relationship Between the Materiality and Physicality of Photographs in an Online Community Archive -- Short Take 12: Location, Agency, and Hashtag Activism During the COVID-19 Pandemic -- 10. Thirty-Seven Retweets -- Conclusion: Shifting Horizons of Possibility -- Notes on Contributors -- Index -- Back Cover.