"Hyperglossia and the Novel: The Production of (Non) Space theorizes hyperglossia as a critical threshold in literary, philosophical, and media discourse-an excessive, recursive textual force that resists closure, coherence, and containment. Drawing from Bakhtin, Derri-da, Foucault, Glissant, and Morton, this work constructs an interdisciplinary topology where narrative is displaced by semiotic proliferation. Through readings of Tokarczuk, Bolaäno, Braschi, Paz Soldâan, and Condâe, the book explores how post-narrative texts perform onto-logical saturation, linguistic instability, and hauntological displacement. Hyperglossia is not a mere excess of language; it is a dispositif, a mechanism of epistemic drift and resistance that destabilizes the relation between text, space, and subject. Engaging literary maximal-ism, posthumanism, colonial hauntings, and digital textuality, this book maps a poetics of rupture-a world where language spills into non-space and refuses the end. Rather than of-fering synthesis, it proposes a drift: a movement toward meaning that cannot be finalized, only continually reinscribed"-- Provided by publisher.