Introduction: medievalism and early-modernism in adaptations of the English past / Marina Gerzic and Aidan Norrie -- Wonder Eoman and the nine ladies worthy: the male gaze and what it takes to be a "worthy woman" / Simone Celine Marshall -- The king, the sword, and the stone: the recent afterlives of King Arthur / Sarah Gordon -- Brand Chaucer: the poet and the nation / Martin Laidlaw -- Moving between life and death: horror films and the medieval walking corpse / Polina Ignatova -- From cabaret to gladiator: refiguring masculinity in Julie Taymor's Titus / Marina Gerzic -- "There's my exchange": the Hogarth Shakespeare / Shelia T. Cavanagh -- Bloody brothers and suffering sisters: the Duchess of Malfi and Harry Potter / Lisa Hopkins -- Playing in a virtual medieval world: video game adaptations of England through role-play / Ben Redder -- "I can piss on Calais from Dover": adaptation and medievalism in graphic novel depictions of the Hundred Years' War (1337-1453) / Iain A. MacInnes -- Beyond "tits and dragons": medievalism, medieval history, and perceptions in Game of Thrones / Hilary Jane Locke -- Re-fashioning Richard III: intertextuality, fandom, and the (mobile) body in The hollow crown: the Wars of the Roses / Marina Gerzic -- The many afterlives of Elizabeth Barton / Annie Blachly -- The queen, the bishop, the virgin, and the cross: Catholicism versus Protestantism in Elizabeth / Aidan Norrie -- "Unseen but very evident": ghosts, hauntings, and the civil war past / Michael Durrant