In the vast majority of literature on 'Chinese nationalism' the distinction between nation and state is rarely made, consequently nationalism usually appears as loyalty to the state rather than identification with the nation. Yet, since 1989, both the official configuration of the nation and the state's monopolized right to name the nation have come under rigorous challenge. Cultural Nationalism in Contemporary China relocates the discussion of nationalism to within a more contemporary framework which explores the disjunction between the people and the state and the relationship of each to the nation. Since the late nineteen eighties the Chinese Party-state has increasingly embraced a more Westernised way of life enabling the country to propel itself into a position of economic and political international importance. This revolutionary upheaval has led cultural nationalists to pose such controversial questions as, what constitutes Chineseness? And, is a Party-state that portrays itself as the sole representative of the nation a legitimate one? This revealing work not only suggests that the CCP is beginning to compromise, therefore highlighting that the state is aware that it is loo