"Cover"--"Copyright"--"Introduction" -- "Taboos of the Theatre-production Ambience" -- "Beyond Offending the Audience: Violating the Audience Body" -- "The Man who went Too Far" -- "The Cunts, the Knobs and the Corpse: Obscenity and Horror in Howard Barker's Victory (1983)" -- "Gender Politics and Female Characters in Edward Bond's Plays" -- "Breaking the Rules: The Plays of Sarah Daniels" -- "Steven Berkoff's Orgy: The Four-Letter Ecstasy" -- "The Outrageous 80s: Conservative Policies and the Church of England under Fire in Steven Berkoff's Sink the Belgrano and David Hare's The Secret Rapture and Racing Demon" -- "Beyond Hope: Howard Brenton's Berlin Bertie" -- ""Confusion is not an lgnoble Condition": Brian Friel's Unconventional Translations as National and Universal Therapy" -- "Outrage in Dialogue: A Study of Wole Soyinka's Three Latest Comedies" -- "Personal Conflict and Political Concern in Wendy Lill's The Occupation of Heather Rose" -- "A Review of After Brecht: British Epic Theater by Janelle Reinelt" -- "Notes on Contributors