Translation is generally regarded as a secondary phenomenon, with the interpreter hidden behind the speaker. Paradoxically is that interpreters are regarded as furniture, while they are allowed to the most secret conversations. The European Union maintains a special position in the world of translation: while the United Nations make do with six working languages, the EU uses 23 languages. This book thematizes the subject of European translation booths in a photographic way. Attention is given to the cross-over between documentary and fiction, the relationship between representation and abstraction, and between images and research results.