Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Preface -- Abbreviations -- Colour Plates -- 'Complete, thorough, and undeniable': Robert Willis and The Architectural History of Canterbury Cathedral -- The Rebuilding of Canterbury Cathedral by Archbishop Wulfred (805-32) -- Sources for the Liturgy of Canterbury Cathedral in the Central Middle Ages -- St Anselm and the Visual Arts at Canterbury Cathedral, 1093 -1109 -- The Entry Complex at the Cathedral Priory -- Recent Interpretations of the Late-12th-Century Rebuilding of the East End of Canterbury Cathedral and its Historical Context -- Shaping a Saint's Identity: The Imagery of Thomas Becket in Medieval Italy -- The Nova Opera of Prior Henry of Eastry -- The Monks' Library at Christ Church Canterbury c. 1180-c. 1250 -- The Romanesque Screen at Canterbury Cathedral Reconsidered -- The Ferramenta of the Oculi at Canterbury Cathedral -- Appendix: Observations on Recording the Ferramenta of the South Oculus Window -- The Mystery of the So-Called 'Old Bakery' Chamber above St Anselm's Chapel, Canterbury Cathedral -- The Canterbury vestiarium: Why Did it Combine the Roles of Treasury and Cemetery Arch? -- The Royal Window (c. 1485) at Canterbury Cathedral and the Magnificat Window (c. 1500) at Great Malvern Priory (Worcs.): Dynastic Rivalry in Late Medieval England? -- Kinship and Architectural Patronage in Late Medieval Canterbury: The Hollands, the Lady Chapel and the Empty Tomb -- The Great Gate of St Augustine's Abbey: Architecture and Context -- 'Vere hortus noster deliciarum est Anglia': John of Thanet, the Madonna Master and a Fragment of English Medieval Embroidery