Outside Japan, the term ?manga? usually refers to comics originally published in Japan. Yet nowadays many publications labelled ?manga? are not translations of Japanese works but rather have been wholly conceived and created elsewhere. This book takes seriously the political economy and cultural production of this so-called ?global manga? produced throughout the Americas, Europe, and Asia and explores the conditions under which it arises and flourishes; what counts as ?manga? and who gets to decide; the implications of global manga for contemporary economies of cultural and creative labour; the ways in which it is shaped by or mixes with local cultural forms and contexts; and, ultimately, what it means for manga to be ?authentically? Japanese in the first place.